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Tuesday, December 22, 2009

Damage Digital

Grindcore from the land of the rising sun and one of my favorites from the area--for fans of Discordance Axis and Napalm Death.

BLAST BEATS ON THE LOOSE:

Damage Digital - Moss

--fred

Monday, December 21, 2009

Noosebomb - Brainfood for the Braindead

I assume that because you're on this blog you like bands like Noosebomb, so here's some Noosebomb. With two members from Grief, scratchy-throat vocals, grinding guitars, liberal use of samples and an overall lethargic tempo you pretty much know from the first song what you're getting in to, though elements of grind, d-beat, and straight up punk peek through. Fans of Grief certainly won't be disappointed.
Final Verdict: this is the kind of music I like to get drunk to.

Sunday, December 20, 2009

Faction Disaster - 3 Minute EP (Tape)

power-violence from Michigan; another thrashmouth release
(limited to 25 copies)

Tracks:
Shut the Fuck Up
Outrageous Decisions pt.2
Spastic Breakdancing
Mouth to Mouth Regurgitation
Smoke PCP and Kill Everyone in Sight



myspace

DOWNLOAD

(more tapes tomorrow)

--fred

Salome playing 'Master Failure' in NY


RELEASE MORE RECORDS

Saturday, December 19, 2009

Thorr's Hammer - Dommedagsnatt

Another 'Southern Lord' treasure -- Those dudes from SUNN O))) team up with a norwegian exchange student to make some crushing doom jams. Heavy Monolithic Lumbering Sludgy stuff with a kind of subtle Black Sabbath vibe to it, backed with some deep-n-low growls mixed with chanting. 'Troll' is the fucking shit.

I just wish their name didn't sound like a slay-the-dragon-siege-the-castle type band. Like Hammerfall or something. I fucking hate that band.

Thorr's Hammer - Dommedagsnatt

--fred

Gorgonized Dorks/Dos Amigos Split Tape

NOISE vs. power-violence
tape released on thrash-mouth records (buy here - 2 bucks)

GORGONIZED DORKS (senselessgrindingnoisefuckers) is
Katz Seki
Ben Agromosh

Tracks:
Blood Slab of Jazz

Dos Amigos (MiTB/GODSTOMPER style Grind-violence)

Tracks:
Mindnumbing Germophobia
IAm the Bastard IamGod
To Each His Own
CarlosRossiStorm
DIYPaperCuts
ISWEARTOGODithoughtshewasaTranny
RingwüürmPhantömLørd


DOWNLOAD

--fred

Friday, November 13, 2009

Kowloon Walled City - Gambling on the Richter Scale

Kowloon Walled City is a band I never really got until recently. I heard their first EP and dug it...but only to the point of half-listening to the first few tracks, agreeing with a riff here and there then veering off to listen to something else.

Sentiments of the "ass-heavy", "low-end", and other popular buzzwords (or conjugations, whatever) used by people, including myself, to describe this band barely do justice to express what's special about this band, and more specifically, their new record Gambling on the Richter Scale. If you're familiar with their EP, think of this as the track 'Turning Into Bricks' expanded into eight tracks, heavy riffage and verse-trailing solos included.

Using the word "heavy" to describe their music may prove deceiving. The bar has been raised so high in music in terms of technical ability within the past decade that the definition of "heavy" has transformed from the indulgence of a slow complimentary solo to shitty soulless tech-grind breakdowns. It's debasing to say what they've created is simple...less technical songs display a different sort of musical ability than masturbatory solos and string fingering.

Compare their music to what Soundgarden was doing before they fizzled out in the mid-nineties. Dark, heavy, depressing kind of shit. The ability to conjure emotion with instrumentals is what defined their heaviness...and this stands as the same case for KWC. Track for track, this record is a slurry of voluminous thick spirited and urban-centric songs rooted by this strong backbone of murky music born by the many grit-toothed noise rock (and grunge) bands that came before them. Although, most of the tracks do embody this sort of slow dark-melodic sort of feel, they do indulge in the kind of heavy-flesh-grinding minimalist sludge comparable to Corrupted.

And that's just what makes KWC so attractive...they have this awesome dynamism that sounds great, but doesn't make their records incohesive. Check it out:

Kowloon Walled City - Gambling on the Richter Scale

(COME TO MARYLAND)

--fred

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